Landfall Review Online

New Zealand books in review

In the Front Seat

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Helen Watson White

Women Equality Power: Selected speeches from a life of leadership by Helen Clark (Allen & Unwin, 2018), 430 pp., $45

On the eve of Labour’s candidate selection meeting in April 1980, Helen Clark was preparing to present herself, in competition with six men, as a possible successor to Warren Freer in Mount Albert. Some 20 years on, in Brian Edwards’ book Helen: Portrait of a prime minister (Exisle, 2001), Mike Williams describes her practising her speech in the kitchen that night: ‘There’s a phrase in that speech that sticks in my mind, which was, “I don’t think you should select me because I’m a woman. However, I don’t think you should not select me because I’m a woman.” It was a very, very good speech.’ [Read more…]

A History of Historicisation

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Caitlin Lynch

Filming the Colonial Past: The New Zealand wars on screen by Annabel Cooper (Otago University Press, 2018), 322 pp., $49.95

Over the past few years in Aotearoa New Zealand there has been increasing demand from high-school students, iwi representatives, academics and musicians alike for a more nuanced, meaningful acknowledgement of the colonial conflicts of the nineteenth and early twentieth centuries and their legacies. Annabel Cooper’s Filming the Colonial Past: The New Zealand wars on screen is part of the answer to that demand. Cooper’s book is not a war history; aside from a succinct, three-page overview of the New Zealand Wars in the introduction, the book’s focus begins in 1925, nearly a decade after their (debatably) final conflict. Instead, and equally as important, the book is a history of historicisation: of how the New Zealand Wars have been remembered, negotiated, re-enacted, represented, viewed, taught and mythologised through film and television over the last century – and by whom. [Read more…]

Honour and Honesty 

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Helen Watson White

Gallipoli to the Somme: Recollections of a New Zealand infantryman by Alexander Aitken (Auckland University Press, 2018), 264 pp., $39.99; The Anzac Violin: Alexander Aitken’s story by Jennifer Beck and Robyn Belton (Scholastic, 2018), 36 pp., $27.99

For the ordinary infantryman in World War I, a period of ‘active service’ was lived in two modes: you were either engaged in fighting at close range, or you were waiting. In waiting mode you could be travelling to a battle site, the location of which was a mystery, or you had arrived, and remained mystified. This is the much-repeated scenario in Alexander Aitken’s memoir, Gallipoli to the Somme: Recollections of a New Zealand infantryman, first published in 1963 and now re-issued with an introduction, chronology, notes and commentary by Alex Calder. [Read more…]

Rescuing Sex Work from Stigma

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Barbara Brookes

My Body, My Business: New Zealand sex workers in an era of change by Caren Wilton, (Otago University Press, 2018), 286 pp., $45

Oral history took off from the 1970s as a way of recording the lives of those who were absent from the written record. Prostitution has, in fact, never been absent from the written record: in nineteenth-century Britain there was an explosion of interest in the subject, particularly aroused by W.T. Stead’s Maiden Tribute to Modern Babylon. Debates raged over licensing, regulation and ‘instrumental rape’ – the latter referring to compulsory examination of women under the notorious Contagious Diseases Act (also introduced in New Zealand), which focused on women only while male clients went scot-free. But while much ink was split on the issue, prostitutes themselves were rarely given a voice: others spoke for them, whether anti-C.D. Act campaigners such as Josephine Butler, or those medical men who believed that venereal diseases could be better controlled through regulation. [Read more…]

The Weight of War

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Christopher Moore

Province of Danger by Ray Grover (Quentin Wilson Publishing, 2018), 448 pp., $34.99

Ray Grover’s latest excursion into narrative history poses an interesting conundrum. Does the reader approach Province of Danger as a work of historical fiction or a narrative history of New Zealand during World War Two? Does the book blend the two or is it merely a work in search of a clear identity?

After reading the sequel to Grover’s widely acclaimed story of World War One, March to the Sound of Guns, I am still undecided. Province of Danger rejects a defining label, especially when historical narrative has become a performance manipulated by the extroverted hands of David Starkey or Simon Schama. [Read more…]