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Landfall Review Online: Aotearoa New Zealand books in review

A Magnifying Glass to Enormity

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Helen Watson White

Searching for Charlie: In pursuit of the real Charles Upham VC & Bar by Tom Scott (Upstart Press, 2020) 368pp, $49.99

I have to confess that I wanted to review Searching for Charlie not because of its subject—a war hero both famous and infamous for his unstoppable aggression—but because of its author, Tom Scott, a cartoonist and columnist both famous and infamous for his satirical zeal.

Scott’s urge to make satire is equalled only by his enthusiasm for storytelling. At the end of his engaging and agonising study of his own family life, Drawn Out: A seriously funny memoir, he acknowledges: ‘I am indebted to a legion of editors on the New Zealand Listener, the Evening Post, the Auckland Star and the Dominion Post for giving me the freedom to leave my office desk in pursuit of stories I thought worth telling.’ The Upham story is one of those, and in March 2019 Scott left the Dominion Post altogether to pursue it. The search for ‘the real Charles Upham’, like his pursuit of Sir Edmund Hillary (for a TV series, a book and a documentary), involved extensive travel in New Zealand and overseas. [Read more…]

Flaxroots Theatre Made By All 

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David Eggleton 

Bus Stops on the Moon: Red Mole days 1974–1980 by Martin Edmond (Otago University Press, 2020), 274pp, $39.95

On the book’s cover they have the stance of a rock band; they bristle like hip young gunslingers tuned into the New Wave zeitgeist. They are the Red Mole theatre troupe, the magnificent inner core of seven, photographed in black and white at Coney Island, New York, during an 18-month sojourn performing overseas towards the end of the 1970s. In Bus Stops on the Moon, Martin Edmond remembers, celebrates and eulogises a generation, an era, a mood—and in the main chronicles a few hectic years, the glory days, to tell us what it was like to be part of New Zealand’s foremost avant-garde theatre group that was itself the product of a particular historic moment. [Read more…]

Kaleidoscopic Ethnography

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Emma Gattey

Refocusing Ethnographic Museums Through Oceanic Lenses by Philipp Schorch, with Noelle M.K.Y. Kahanu, Sean Mallon, Cristián Moreno Pakarati, Mara Mulrooney, Nina Tonga and Ty P. Kāwika Tengan (Otago University Press, 2020), 299pp, $49.95

A deep-dive into museum work across Te Moana-Nui-a-Kiwa, Refocusing Ethnographic Museums Through Oceanic Lenses presents ‘a collaborative ethnographic investigation of Indigenous museum practices in three Pacific museums’: Hawai`i’s Bernice Pauahi Bishop Museum, New Zealand’s Te Papa Tongarewa, and Rapa Nui’s (Easter Island) Museo Antropológico Padre Sebastián Englert. The text’s key contribution is, according to lead author Philipp Schorch, to provide ‘historically informed ethnographic insights’ into regional museology, ‘grounded in Indigenous epistemologies, ontologies, and cosmologies’. Like Nicholas Thomas’ compelling work, The Return of Curiosity: What museums are good for in the twenty-first century, this multi-authored text reanimates its three museums for readers, revealing their histories as well as their recent attempts at recalibrating and decolonising their practices, and their creative potential in decades to come. [Read more…]

Te Tiriti Then and Now

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Gerry Te Kapa Coates

Waitangi: A Living Treaty by Matthew Wright (Bateman Books, 2019), 296pp, $39.99 

Professor Paul Moon says of the Treaty of Waitangi in his Foreword to this book: ‘The intricate web of colonial policy that was spun in years leading to its signing requires disentangling.’ He notes the Treaty’s evolution and its ‘layers of interpretations and meanings’. Te Tiriti o Waitangi can be seen as a shared idea—or plurality of ideas—one that began in 1840 with 176 words in te reo Māori, 226 words in English; a modest document compared with other founding documents such as the US Declaration of Independence (1337 words) or England’s Magna Carta (4478 words). Today Te Tiriti has morphed into a resolution process dealing with historical grievances as well as more recent issues such as the place of concepts like kaitiakitanga rights in the Exclusive Economic Zone. Te Tiriti has always been attributed with interpretations that stretch beyond the mere meanings of the words. [Read more…]

Beyond Beauty: Portraits of New Zealand history

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Cushla McKinney

No Man’s Land by A.J. Fitzwater (Paper Road Press, 2020), 154 pp, $22; Jerningham by Cristina Sanders (The Cuba Press, 2020), 388 pp, $37

The best historical fiction gives readers a space to explore the origins of issues that continue to affect them. It also presents writers with unique challenges of voice, emotional plausibility, and historical and contemporary validity. Two new novels, No Man’s Land by Vogel Award-winner A.J. Fitzwater and Cristina Sanders’ first adult novel, Jerningham, tackle these challenges in different but equally engaging ways. 

In the early 1940s, when thousands of New Zealand men served in the armed forces overseas, women stepped into traditional male roles in farming, factories and other essential industries. This provides the backdrop for Fitzwater’s exploration of sex, gender and identity in No Man’s Land. [Read more…]

A Common Silence

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Shana Chandra

Kalimpong Kids by Jane McCabe (Otago University Press, 2020), 139pp, $35

I have been struck by the silence that was common to our family histories, and by the role that photographs played in keeping curiosity alive.—Jane McCabe

As a historical record and document, Kalimpong Kids is a visual testament to the past, a collection of familial photographs that have survived as relics. Photographs that have provided clues to hushed stories handed down, muted by shame. Photographs of a society that kept hidden what it couldn’t palate. Photographs that say tangible things that lips could not. [Read more…]