biography

A Magnifying Glass to Enormity

May 1, 2021 Leave a Comment

Helen Watson White

Searching for Charlie: In pursuit of the real Charles Upham VC & Bar by Tom Scott (Upstart Press, 2020) 368pp, $49.99

I have to confess that I wanted to review Searching for Charlie not because of its subject—a war hero both famous and infamous for his unstoppable aggression—but because of its author, Tom Scott, a cartoonist and columnist both famous and infamous for his satirical zeal.

Scott’s urge to make satire is equalled only by his enthusiasm for storytelling. At the end of his engaging and agonising study of his own family life, Drawn Out: A seriously funny memoir, he acknowledges: ‘I am indebted to a legion of editors on the New Zealand Listener, the Evening Post, the Auckland Star and the Dominion Post for giving me the freedom to leave my office desk in pursuit of stories I thought worth telling.’ The Upham story is one of those, and in March 2019 Scott left the Dominion Post altogether to pursue it. The search for ‘the real Charles Upham’, like his pursuit of Sir Edmund Hillary (for a TV series, a book and a documentary), involved extensive travel in New Zealand and overseas. [Read more…]

In the Footsteps of Robin Hyde

March 1, 2021 Leave a Comment

Sally Blundell

Shining Land: Looking for Robin Hyde by Paula Morris and Haru Sameshima (Massey University Press, 2020), 95pp, $45

The ghost of Robin Hyde shifts in the shadows of our history: poet, novelist, journalist; invalid, mother, drug addict; lady editor at the Wanganui Chronicle, war correspondent during the early months of the Sino-Japanese War in China. A dreamer, she wrote of herself, ‘and a lover’. Hyde, the pen name of Iris Guiver Wilkinson, stands tall in the New Zealand literary canon, but Wilkinson herself, Cape Town-born and immigrating to New Zealand when she was a baby, appears only dimly in the male-led literary world of the 1930s—a ‘trying thing’, wrote the acerbic Frank Sargeson, a ‘silly bitch’.¹ [Read more…]

A Unique Point of View

November 1, 2020 Leave a Comment

Helen Watson White

The Girl from Revolution Road by Ghazaleh Golbakhsh (Allen & Unwin, 2020), 240pp., $36.99

What seems at first to be a book about difference—cultural, religious, social—is actually, in the end, about what holds people together. At every point where these real-life stories of Iranian-born filmmaker Ghazaleh Golbakhsh find resonance with a reader, a bond is formed that comes from the sense of a shared humanity. While I’m aware that that generalisation can be used to override the particular, or the individual, in The Girl from Revolution Road there is no danger of our not recognising difference as a positive value. This is a varied and accessible set of human stories, told from a unique point of view, and the effectiveness of the writing is all in the detail. [Read more…]

The Air Up Here

August 1, 2020 Leave a Comment

Sally Blundell

High Wire by Lloyd Jones and Euan Macleod (Massey University Press, 2020), 96pp., $45

The air up here is clear. High above the clamour of the city and the rush and roar of the ocean, above the islands, the headlands and the setting sun, a solitary figure slouches towards Australia on the single drawn line of a high-wire cable.

In James Marsh’s 2008 documentary Man on Wire, a New York bystander, anchored to the footpath by a heavy coat and bags of shopping, wept as she watched the impossibly frail figure of French high-wire artist Philippe Petit walk, kneel and wheel on a cable drawn 411 metres above ground between the Twin Towers of the World Trade Center. [Read more…]

Devastating Losses and Creative Reparation

August 1, 2020 Leave a Comment

Penelope Todd

Paper Nautilus: A trilogy by Michael Jackson (Otago University Press, 2019), 272pp., $35

‘I create so I can leave some trace of my existence.’ So wrote master watercolourist Xu Min. I open this review with a quotation from one of the author’s exemplars, since Michael Jackson argues that we are indistinct in ourselves, and more or less created from interactions with our ‘significant others’.

For an author with an avowedly nebulous sense of self, Michael Jackson has produced an impressively concrete body of work. An internationally renowned anthropologist, he has published more than thirty volumes of poetry, ethnography, fiction and memoir. With The Paper Nautilus he has wavered and created a threefold hybrid. The nautilus—paper-thin egg-case of the pelagic octopus—might represent the fragile self or the book covers themselves, inviting the question of whether the life or the pages can safeguard all they are asked to contain. The book, as Jackson writes, ‘begins discursively with … loosely connected essays and gradually morphs into a memoir of a marriage and a friendship, only to be reinvented as a work of fiction’ (p.12). [Read more…]