Jodie Dalgleish

Gavin Hipkins: The Domain (Victoria University Press, 2017), 240 pp., $70

The monograph Gavin Hipkins: The Domain, released in November 2017 to mark the opening of the Dowse Art Museum’s largest-ever survey exhibition of the same name, is a beautifully produced, super-illustrated tome. It begins with three ‘meaty’ essays, ends with a plethora of historic texts, and contains 147 pages of colour plates (over half the book) in between. Significantly, it provides an opportunity to more singularly study the richly proliferative, multi-threaded and motif-circling practice of a senior New Zealand artist working across still and moving image in both gallery and cinema contexts. However, the non-indexed, non-thematic (and non-chronological) ordering of its wedge of colour plates might hamper that study at times. [Read more…]

Peter Shand

Gordon Walters: New vision edited by Lucy Hammonds, Laurence Simmons and Julia Waite (Auckland Art Gallery Toi o Tāmaki & Dunedin Public Art Gallery, 2017), 244 pp., $79

The title of Gordon Walters: New vision presents its own wero. Building from Walters’ innovating position within New Zealand art, the title points to the writers’ collective aim of presenting new ways of engaging with and thinking about his work. Hence their challenge to realise novel propositions for geometric abstraction, for ambitious local art practices, for cross-cultural appropriation and/or for histories of modernism. This is in the context of an artist who enjoys a sound if moderate bibliography, with notable contributions from Michael Dunn and, in particular, the late Francis Pound. This handsome addition to that record accompanies a touring retrospective exhibition curated by three of the book’s essayists: Lucy Hammonds, Laurence Simmons and Julia Waite.  [Read more…]