Thomas McLean reviews The Art of Colonisation: Images of Europe’s encounters with New Zealand by Paul Moon
The Stumps of Trees Cut Down Were Still There
David Eggleton reviews Mark Adams: A survey | He Kohinga Whakaahu by Sarah Farrar, Aotearoa Light: Moments of wonder and realisation in New Zealand wilderness by Peter Laurenson and Slow Burn Ahi Tāmau | Women and Photography Māreikura Whakaahua by Lissa Mitchell
A Brilliant Stick With Which to Beat the Old Guard
Ian Wedde reviews Out of the Blue: Essays on artists from Aotearoa New Zealand 1985–2021 by Christina Barton
The Active Verb of Emily Cumming Harris
Mary Macpherson reviews Groundwork by Michele Leggott and Catherine Field-Dodgson
Nature Was My Friend
Andrew Paul Wood reviews My Own Sort of Heaven: A life of Rosalie Gascoigne by Nicola Francis
Photographs Fixed in Silver
Max Oettli reviews Leslie Adkin: Farmer photographer by Athol McCredie
Roads Lifted, Mountains Moved a Metre
Michelle Elvy reviews Town by Madeleine Slavick; Ash by Louise Wallace
Soft, Grassy, Sweet-Smelling Tatami Mats
David Herkt on Japan: An autobiography by Peter Shaw
Different Versions of Tony
David Eggleton on Tony Fomison: Life of the artist by Mark Forman
Collective Action
David Eggleton on Modern Women: Flight of time edited by Julia Waite; Wing Dust: Exploring the eccentric mind of the artist June Black by Sheridan Keith; and Sight Lines: Women and art in Aotearoa by Kirsty Baker
Delicate Shades of Sepia
Max Oettli on A Different Light: First photographs of Aotearoa edited by Catherine Hammond and Shaun Higgins
Whistling to Four Points of the Compass
Andrew Paul Wood on Resetting the Coordinates: An anthology of performance art in Aotearoa New Zealand edited by Christopher Braddock, Ioana Gordon-Smith, Layne Waerea and Victoria Wynne-Jones
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