Michelle Elvy reviews One Foot on the Bottom by Mary Macpherson and Thread Between Darkness & Light by Stella Brennan
On Pause Forever
Max Oettli reviews New Zealand Photography Collected: 175 years of photography in Aotearoa by Athol McCredie
Castles in the Air
David Eggleton reviews Ōtepoti Dunedin Architecture: A walking guide by John Walsh and Patrick Reynolds; Health Design in New Zealand | Te Whaihangao Ngā Whare Hauora o Aotearoa by Chris Thom; and Claude Megson: Architect by Giles Reid and Jackie Meiring
Walking through Many Histories and Futures Simultaneously
David Eggleton reviews Whenua edited by Chloe Cull, Ken Hall, Felicity Milburn, Melanie Oliver and Peter Vangioni
Awkward Places
Thomas McLean reviews The Art of Colonisation: Images of Europe’s encounters with New Zealand by Paul Moon
The Stumps of Trees Cut Down Were Still There
David Eggleton reviews Mark Adams: A survey | He Kohinga Whakaahu by Sarah Farrar, Aotearoa Light: Moments of wonder and realisation in New Zealand wilderness by Peter Laurenson and Slow Burn Ahi Tāmau | Women and Photography Māreikura Whakaahua by Lissa Mitchell
A Brilliant Stick With Which to Beat the Old Guard
Ian Wedde reviews Out of the Blue: Essays on artists from Aotearoa New Zealand 1985–2021 by Christina Barton
The Active Verb of Emily Cumming Harris
Mary Macpherson reviews Groundwork by Michele Leggott and Catherine Field-Dodgson
Nature Was My Friend
Andrew Paul Wood reviews My Own Sort of Heaven: A life of Rosalie Gascoigne by Nicola Francis
Photographs Fixed in Silver
Max Oettli reviews Leslie Adkin: Farmer photographer by Athol McCredie
Roads Lifted, Mountains Moved a Metre
Michelle Elvy reviews Town by Madeleine Slavick; Ash by Louise Wallace
Soft, Grassy, Sweet-Smelling Tatami Mats
David Herkt on Japan: An autobiography by Peter Shaw
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