Landfall

Landfall Review Online: Aotearoa New Zealand books in review

A Principled Resistance

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Erik Kennedy

The Other Way by David Trubridge (David Trubridge Press, 2022), 317pp, 128 colour plates, $99

Renowned designer David Trubridge has always demonstrated a commitment to sustainability and the environment in his work, whether in furniture, lighting or other media. The Other Way, a book of travel essays and photographs, allows him to articulate his ideas on these subjects in new ways.

The ‘other way’ of the title refers to Trubridge’s favoured travel itinerary: if a place attracts ‘teeming crowds’, he will instinctively go the other way, to the land. ‘Humans once had a close and balanced relationship with all the natural world around them’, he writes. ‘This instinctive respect and empathy formed the basis of spirituality. I want to reclaim that spirituality and gently place it back where it belongs in the centre of our connection to the whole of “Life”.’ His desire to foreground nature—and his corresponding wariness of humanity, especially Westerners—characterises the book. It is deep ecology, a principled resistance to the instrumentalisation of the natural world.  [Read more…]

Stone House & Straw Houses  

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Max Oettli

Ravenscar House: A Biography by Sally Blundell (Canterbury University Press, 2022), 224pp, $59.99; Road People of Aotearoa: House truck journeys 1978–1984 by Paul Gilbert (Rim Books, 2021), 184pp, $50    

While these two books have a common theme of shelter, their inhabitants are poles apart. We are looking, I suppose, at high culture with millions of bucks behind it and a kind of DIY counterculture, where one manages to make a picturesque home with few bits from the tip, cadging some car cases (carcasses?) from an importer and bolting the whole caboodle on the back of an old truck to take to the dusty road.  [Read more…]

To Re-remember and Re-learn

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Rachel Smith

The Forgotten Coast by Richard Shaw (Massey University Press, 2021), 256 pp, $35; Wai Pasifika: Indigenous ways in a changing climate by David Young (Otago University Press, 2021), 288pp, $60

Two very different books, one memoir and one non-fiction, The Forgotten Coast and Wai Pasifika: Indigenous ways in a changing climate offer an invitation to look closely at the world we live in—to listen and learn, to understand and re-remember. 

The Forgotten Coast by Richard Shaw is a new addition to Massey University Press’ short memoir series. Shaw is Professor of Politics at Massey University, and his memoir looks to fill in the gaps of his own forgotten story. In part, it is an attempt to personally respond to Rachel Buchanan’s The Parihaka Album: Lest We Forget, in which she asks:

What stories do your dead tell you? How do you see your past? [Read more…]

Art and the Environment in Photobooks

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Mary Macpherson

The Near Future by Hannah Watkinson (self-published), 158 pp, softcover $45/hardcover $80; Conversātiō – in the company of bees by Anne Noble with Zara Stanhope and Anna Brown (Massey University Press, 2021), 272 pp, $60

At the end of her book The Near Future, photographer and writer Hannah Watkinson asks: ‘How do you love the land, as well as what’s buried beneath it?’ and then, ‘How do you make a living, if ignoring what is to come?’ These two questions underpin The Near Future as Watkinson takes us on a socioeconomic journey, using text and photographs, through the extractive industries of the West Coast, juxtaposed with the threat of climate change. [Read more…]

Paradoxes, Mysteries and Obsessions

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This review was first published in the print edition of Landfall 241.

David Eggleton

Ralph Hotere: The dark is light enough by Vincent O’Sullivan (Penguin, 2020), 368pp, $45

The artistic achievement of Ralph Hotere (Te Aupōuri) towers like a great lighthouse above the pure harbour. It’s as if he illuminates, with a delicate precision and a sweeping blade of light, New Zealand’s brooding darkness, spiritual as well as topographical. Born near Mitimiti, Northland, in 1931 and baptised into the Roman Catholic church as Hone Papita Raukua Hotere, he was an art prodigy almost from the beginning and drew at every opportunity—even with a stick in the sand on the beach near his childhood home, content to watch the waves wash away his efforts. His most remarkable and significant period of artistic production, though, lasted for around forty years between about 1962 and 2002. He died in Dunedin in 2013. His was a busy, restless, crowded existence, as Vincent O’Sullivan tells it in his fascinating ‘biographical portrait’, which succeeds in synthesising a colourful, gossipy, anecdotal narrative out of the many paradoxes, mysteries and obsessions of this energetic and prolific New Zealand artist’s life. [Read more…]

Dick’s Pics

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Andrew Paul Wood

Me, According to the History of Art by Dick Frizzell (Massey University Press, 2021), 312pp, $65

It goes without saying that Dick Frizzell is a very clever man with an idiosyncratic view of the world. Somehow, he has also survived half a century or so’s worth of New Zealand art-world vicissitudes, so inevitably his thoughts about art are going to be interesting. He is also (and this is not intended as an insult) a narcissist. You would have to have the balls to write your own history of world art, playing at being Kenneth Clark. You also must be a bit of a celebrity for a publisher to let you do it. Vanitas vanitatum, omnia vanitas. Behold: Me, According to the History of Art. Frizzell does to art history what Tom Scott did to Charles Upham. [Read more…]