Landfall Review Online

New Zealand books in review

Countering Commonplace Narratives 

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Giovanni Tiso

From Suffrage to a Seat in the House: The path to Parliament for New Zealand women by Jenny Coleman (Otago University Press, 2020), 338pp., $45; Crossing the Lines: The story of three homosexual New Zealand soldiers in World War II by Brent Coutts (Otago University Press, 2020), 336pp., $49.95

Two recent books counter commonplace narratives about Aotearoa’s social and political history. 

In From Suffrage to a Seat in the House: The path to Parliament for New Zealand women Jenny Coleman traces the stalling of the women’s franchise after the success of the suffrage petition and subsequent Electoral Bill of 1893. From that moment, it took an extraordinary twenty-six years for women to win the right to be elected to Parliament, and fourteen years after that for the first woman to actually win a seat—by which time the country we like to remind ourselves was trailblazing had been overtaken by a number of liberal democracies, including Britain. [Read more…]

Gardens for the People! 

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James Beattie 

Common Ground: Garden histories of Aotearoa by Matt Morris (Otago University Press, 2020), 284 pp., $45

In Common Ground: Garden histories of Aotearoa, Matt Morris writes affectionately of our love affair with gardens through time. In it, expect to find stories of your uncle and aunty digging spuds or planting kūmara in the back garden, rather than details of the wealthy real estate developer and her husband quaffing cocktails on their mansion’s manicured lawn. Morris draws from wide-ranging archival and published sources, as well as interviews. The result is a fine-grained and touching history of our relationship with gardens. [Read more…]

A Magnifying Glass to Enormity

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Helen Watson White

Searching for Charlie: In pursuit of the real Charles Upham VC & Bar by Tom Scott (Upstart Press, 2020) 368pp, $49.99

I have to confess that I wanted to review Searching for Charlie not because of its subject—a war hero both famous and infamous for his unstoppable aggression—but because of its author, Tom Scott, a cartoonist and columnist both famous and infamous for his satirical zeal.

Scott’s urge to make satire is equalled only by his enthusiasm for storytelling. At the end of his engaging and agonising study of his own family life, Drawn Out: A seriously funny memoir, he acknowledges: ‘I am indebted to a legion of editors on the New Zealand Listener, the Evening Post, the Auckland Star and the Dominion Post for giving me the freedom to leave my office desk in pursuit of stories I thought worth telling.’ The Upham story is one of those, and in March 2019 Scott left the Dominion Post altogether to pursue it. The search for ‘the real Charles Upham’, like his pursuit of Sir Edmund Hillary (for a TV series, a book and a documentary), involved extensive travel in New Zealand and overseas. [Read more…]

Flaxroots Theatre Made By All 

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David Eggleton 

Bus Stops on the Moon: Red Mole days 1974–1980 by Martin Edmond (Otago University Press, 2020), 274pp, $39.95

On the book’s cover they have the stance of a rock band; they bristle like hip young gunslingers tuned into the New Wave zeitgeist. They are the Red Mole theatre troupe, the magnificent inner core of seven, photographed in black and white at Coney Island, New York, during an 18-month sojourn performing overseas towards the end of the 1970s. In Bus Stops on the Moon, Martin Edmond remembers, celebrates and eulogises a generation, an era, a mood—and in the main chronicles a few hectic years, the glory days, to tell us what it was like to be part of New Zealand’s foremost avant-garde theatre group that was itself the product of a particular historic moment. [Read more…]

Kaleidoscopic Ethnography

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Emma Gattey

Refocusing Ethnographic Museums Through Oceanic Lenses by Philipp Schorch, with Noelle M.K.Y. Kahanu, Sean Mallon, Cristián Moreno Pakarati, Mara Mulrooney, Nina Tonga and Ty P. Kāwika Tengan (Otago University Press, 2020), 299pp, $49.95

A deep-dive into museum work across Te Moana-Nui-a-Kiwa, Refocusing Ethnographic Museums Through Oceanic Lenses presents ‘a collaborative ethnographic investigation of Indigenous museum practices in three Pacific museums’: Hawai`i’s Bernice Pauahi Bishop Museum, New Zealand’s Te Papa Tongarewa, and Rapa Nui’s (Easter Island) Museo Antropológico Padre Sebastián Englert. The text’s key contribution is, according to lead author Philipp Schorch, to provide ‘historically informed ethnographic insights’ into regional museology, ‘grounded in Indigenous epistemologies, ontologies, and cosmologies’. Like Nicholas Thomas’ compelling work, The Return of Curiosity: What museums are good for in the twenty-first century, this multi-authored text reanimates its three museums for readers, revealing their histories as well as their recent attempts at recalibrating and decolonising their practices, and their creative potential in decades to come. [Read more…]