Landfall

Landfall Review Online: Aotearoa New Zealand books in review

Devastating Losses and Creative Reparation

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Penelope Todd

Paper Nautilus: A trilogy by Michael Jackson (Otago University Press, 2019), 272pp., $35

‘I create so I can leave some trace of my existence.’ So wrote master watercolourist Xu Min. I open this review with a quotation from one of the author’s exemplars, since Michael Jackson argues that we are indistinct in ourselves, and more or less created from interactions with our ‘significant others’.

For an author with an avowedly nebulous sense of self, Michael Jackson has produced an impressively concrete body of work. An internationally renowned anthropologist, he has published more than thirty volumes of poetry, ethnography, fiction and memoir. With The Paper Nautilus he has wavered and created a threefold hybrid. The nautilus—paper-thin egg-case of the pelagic octopus—might represent the fragile self or the book covers themselves, inviting the question of whether the life or the pages can safeguard all they are asked to contain. The book, as Jackson writes, ‘begins discursively with … loosely connected essays and gradually morphs into a memoir of a marriage and a friendship, only to be reinvented as a work of fiction’ (p.12). [Read more…]

‘All art comes from the depths of one’s feelings’

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Michael Dunn

Louise Henderson: From life, edited by Felicity Milburn, Lara Strongman and Julia Waite (Auckland City Art Gallery/Christchurch City Art Gallery, 2019), 256pp., $65

At one time, in the mid-1950s, Louise Henderson was a prominent figure among painters based in Auckland. In fact, she was seen as a modernist; she had associated with John Weeks in Auckland and later studied in Paris with Jean Metzinger (1883–1956), a Cubist painter, teacher and writer. Henderson had changed her earlier style, learnt in Christchurch, for a more abstract and Cubist-influenced approach. She exhibited at the Auckland Art Gallery alongside Colin McCahon and Milan Mrkusich, both of whom were some twenty years her junior. She was highly regarded by collectors and critics, such as Charles Brasch and Eric McCormick. But by the 1970s her star had waned, and although she continued to paint and exhibit into the 1980s she was no longer seen as a leading contemporary painter. Auckland Art Gallery staged an important show of her work called Louise Henderson: The Cubist years, curated by Christina Barton in 1992, and in 1993 Henderson was made a Dame. Henderson has, however, still not been accorded her full due as a painter and teacher. Louise Henderson: From life and the accompanying exhibition aim to redress the situation. [Read more…]

A Remarkable Individual

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Richard Bullen

A Communist in the Family: Searching for Rewi Alley by Elspeth Sandys (Otago University Press, 2019), 324pp., $40

Even if he had achieved little else, surviving sixty years in China – from the Republican era prior to Japanese invasion to the first years of the open and reform period – would have marked Rewi Alley (1897–1987) as a remarkable individual. Yet, as his supporters recount, Alley’s record is astonishing across a number of fields, including literature. He is perhaps New Zealand’s most prolific author – fifty-three books of his own and thirteen works of translation, according to one count – best known for his poetry, travelogues and detailed descriptions of the early years of the People’s Republic of China (PRC). He produced countless articles on subjects ranging from Chinese agricultural implements and the rural paper industry, to the forms of ancient Chinese belt buckles and the Chinese in New Zealand. In the realm of literature, his best contributions are translations of classical Chinese poetry. Although his interest in material arts was not scholarly, the 1400 works he donated to Canterbury Museum form the largest collection of Chinese art in this country.  [Read more…]

Solitary Grandeur

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Martin Edmond

McCahon Country by Justin Paton (Penguin Random House NZ, in association with Auckland Art Gallery Toi o Tāmaki), 304 pp., $75

This year is the centenary of the birth of Colin McCahon, and among the publications celebrating that event is Justin Paton’s McCahon Country. It is not the only one. The first of Peter Simpson’s two-volume chronicle of McCahon’s life and work will be published in October 2019, with the second to follow in June next year; and Wystan Curnow’s long-delayed opus is also rumoured to be coming out in 2020. None of these books is, or will be, properly speaking, a biography. Indeed, three decades after his death, we still lack a comprehensive life of the artist. Gordon Brown’s Colin McCahon: Artist, first published in 1984, is more an elucidation of the work than of the man; as is Simpson’s work; as Curnow’s presumably will be. As Justin Paton’s book, with qualifications, also is. [Read more…]

Reeling Them In

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Helen Watson White

Whatever It Takes: Pacific Films and John O’Shea 1948–2000 by John Reid (Victoria University Press, 2018), 462pp, $60

Whatever It Takes is an apt title for John Reid’s story of the formation of Pacific Films, an enterprise that dared to dream in an age when dreaming was expensive. The No. 8 wire mentality, necessitated by insufficient funding for almost any part of independent film-making, is exemplified in countless ways in this account, from the building of a camera dolly with bicycle wheels, to the capture of the 1953 Royal Tour on three cameras simultaneously, by mounting them on the same frame, the results of the shoot destined for three different agencies, each paying for a share of news footage of the glamorous royal couple ‘abroad’. [Read more…]

Daring to Take the Leap into Clarity

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Bill Direen

Karl Wolfskehl: A poet in exile by Friedrich Voit (Cold Hub Press, 2019), 232pp, $40

To start at the end, the Epilogue tells us about the growth of international interest in Karl Wolfskehl over recent decades, and the handling, by his companion Margot Ruben, of his literary estate up until her death in 1980. Throughout the biography, Friedrich Voit gives us enough facts, without building her up unduly, to get a fair picture of the importance of Ruben in Wolfskehl’s work, and the intricacies of their relationship. The Wolfskehl–Ruben story is only one of many fascinating threads. [Read more…]