Landfall Review Online

New Zealand books in review

Put Yourself in My Place

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Chris Tse

Summer Grass by Ginny Sullivan (Steele Roberts, 2017), 72 pp., $19.99; Edgeland and Other Poems by David Eggleton (Otago University Press, 2018), 112 pp., $27.50; View from the South by Owen Marshall with photographs by Grahame Sydney (Vintage, 2018), 208 pp., $40

It feels somewhat reductive in 2019 to be framing a review of three New Zealand poetry books with the poets’ shared exploration of place and landscape, but here we are. However, that is not to say that these three books are themselves reductive in any sense. So much of our country’s art is rooted in the land – I can still hear my university lecturers exalting the pivotal role that our celebrated landscape has played in the development of our national literature and film history. And if it’s not our own land then it’s the far-flung places we Kiwis end up in, a shared wanderlust pushing us to escape the confines of our island nation, our isolation. [Read more…]

In Vivid Colour

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Robyn Maree Pickens 

Colours of a Life: The life and times of Douglas MacDiarmid by Anna Cahill (Mary Egan Publishing in association with MacDiarmid Arts Trust, 2018), 444 pp., $80

Before I settle in to a book I like to examine its paratextual material: features such as foreword, acknowledgments and endorsements. By examining the way in which a book is framed I get a sense of how its author, subject and producers would like the book to be received. Every book embodies an agenda, and I like to see how this intersects with my reading experience. With this in mind it is worth noting that the artist Douglas MacDiarmid – the subject of Colours of a Life – is Anna Cahill’s uncle. This familial investment is underscored by the publishing relationship between Mary Egan Publishing ‘in association with MacDiarmid Arts Trust’. In other words, the book is not an independent or disinterested production. It is undoubtedly a tribute to kin by kin. This bond between subject and author has the distinct advantage of providing Cahill exceptional closeness to her subject, and has resulted in a highly detailed, intimate and warm biography of MacDiarmid. After a brief glimpse of MacDiarmid as a struggling artist in an actual garret (!) in Paris, 1953, the book assumes a chronological trajectory from the artist’s birth in Taihape, 1922, to the recent present of his long-lived life in Paris, 2017. (At the time of writing this review MacDiarmid is approaching his 96th birthday.)  [Read more…]

Stoic and Steadfast 

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Michael Morrissey

Words and Water by John Parkyn (Atzimba Press, 2017), 220 pp., $30

Many decades ago John Parkyn and I worked in the proofreading room of the Herald. We were aspirant writers. At my count, there were at least four (maybe five) hopeful writers in total. Proofreading rooms were like that in the 70s – would-be artists, poets, miscellaneous misfits, left-wing desperados, people who had not yet found their niche were part of the mix. Plus ‘seagulls’ (casual employees on the wharf) and posties. Writers just seemed to emerge out of this diverse compote. Today, writers go to university and do courses in creative writing. [Read more…]

Freedom, Risk and Childhood

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Holly Walker

All Our Secrets by Jennifer Lane (Rosa Mira Books, 2018), 276 pp., $30

Ostensibly, All Our Secrets is a book about a series of murders, and about a religious commune that moves in to live uncomfortably alongside a conservative rural New South Wales town, Coongahoola, in the 1980s. There’s a mystery to be solved, and an eleven-year-old protagonist, Gracie, from whose perspective we hear the story. It defies genre: it could be young adult fiction for mature readers, or an adult novel rendered from a child’s perspective.

What sticks with me most after putting it down for the second time, though, is not the mystery but the portrayal of family life, and what this book has to say about love and parenting.  [Read more…]

A Gender Magpie

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Chris Brickell

I Have Loved Me a Man: The life and times of Mika by Sharon Mazer, with a foreword by Witi Ihimaera (Auckland University Press, 2018), 288 pp., $59.99

It all began in Timaru. Neil Gudsell, who later transformed himself into the drag artist, activist and performer Mika, started his life in the provincial South Island town. A Māori child adopted by Pākehā parents, he had to ride the ‘swings and roundabouts of identity’ in a not-always bicultural Aotearoa/New Zealand. As a ‘reflexively daring’ child he invented a sense of himself through performance. I Have Loved Me a Man: The life and times of Mika is a lively tale of all of these things: biculturalism and the everyday expectations and politics that surround it; self-fashioning; enactments of culture, gender and sexuality; and a society that has changed – mostly a lot, although not wholly – since Mika’s birth in 1962. Biographer Sharon Mazer provocatively suggests that Mika’s life offers a useful perspective on the liberations and repressions of the 1960s, the slowly waning homophobia of the 1970s and 1980s, and the neoliberalisation of the 1990s and 2000s. Mika’s awakenings tell of broader patterns of social change. [Read more…]