Chris Else
Entanglement by Bryan Walpert (Mākaro Press, 2021), 268pp, $35
When I was fifteen I discovered the joys of mathematics. The experience was a Damascene moment that confirmed me on a path to study science despite my love of language and story. I found, however, that when I got to university all my friends were arts students. Many of them felt that science was an arcane business somehow inimical to the things they cared about. How could I want to write poetry and short stories while at the same time attending lectures in maths and physics? For my part, I was mystified by their mystification. The pleasure I found in an elegant piece of logic was aesthetic and the ideas of science seemed a fertile field of metaphor. For example, the paradoxical square root of minus one, represented by the symbol i and the basis for the system of imaginary numbers, called to my mind the I of personal consciousness and identity, which seemed equally strange and inexplicable. [Read more…]
Kerry Lane
Among those who care about poetry in Aotearoa, Vaughan Rapatahana should be known particularly for two things. First, he is the most daring poet we have when it comes to seasoning his work with sesquipedalian lingo (that is, million-dollar words). Second, he has a more developed practice than anyone else when it comes to writing translingual poems in te reo Māori and English. His new collection, ināianei/now, offers plenty of examples of both modes, in poems that explore our fractured geopolitics, the dispossession and cultural losses of Māori, and the experience of dividing a life between different countries, as Rapatahana does. 
Sally Blundell
Harry Ricketts