Landfall Review Online

At War, At Sea

December 1, 2019 Leave a Comment

Nicholas Reid

Tutu Te Puehu: New perspectives on the New Zealand Wars edited by John Crawford and Ian McGibbon (Steele Roberts, 2018) 524pp, $49:99; New Zealand and the Sea: Historical perspectives edited by Frances Steel (Bridget Williams Books, 2018) 384 pp, $59:99

Basically, there are three types of history book. The poorly researched, opportunistic kind knocked off for the general reader. The well-researched, scholarly kind, written for the general reader. And the well-researched, scholarly variety, written for specialists. Tutu Te Puehu is definitely scholarly and well-researched, but I am not sure if it comes into the second or third category. [Read more…]

Solitary Grandeur

November 6, 2019 Leave a Comment

Martin Edmond

McCahon Country by Justin Paton (Penguin Random House NZ, in association with Auckland Art Gallery Toi o Tāmaki), 304 pp., $75

This year is the centenary of the birth of Colin McCahon, and among the publications celebrating that event is Justin Paton’s McCahon Country. It is not the only one. The first of Peter Simpson’s two-volume chronicle of McCahon’s life and work will be published in October 2019, with the second to follow in June next year; and Wystan Curnow’s long-delayed opus is also rumoured to be coming out in 2020. None of these books is, or will be, properly speaking, a biography. Indeed, three decades after his death, we still lack a comprehensive life of the artist. Gordon Brown’s Colin McCahon: Artist, first published in 1984, is more an elucidation of the work than of the man; as is Simpson’s work; as Curnow’s presumably will be. As Justin Paton’s book, with qualifications, also is. [Read more…]

Reeling Them In

November 1, 2019 Leave a Comment

Helen Watson White

Whatever It Takes: Pacific Films and John O’Shea 1948–2000 by John Reid (Victoria University Press, 2018), 462pp, $60

Whatever It Takes is an apt title for John Reid’s story of the formation of Pacific Films, an enterprise that dared to dream in an age when dreaming was expensive. The No. 8 wire mentality, necessitated by insufficient funding for almost any part of independent film-making, is exemplified in countless ways in this account, from the building of a camera dolly with bicycle wheels, to the capture of the 1953 Royal Tour on three cameras simultaneously, by mounting them on the same frame, the results of the shoot destined for three different agencies, each paying for a share of news footage of the glamorous royal couple ‘abroad’. [Read more…]

Projects of Disclosure

November 1, 2019 Leave a Comment

Michael Steven

This Thin Now by Jo Thorpe (Mākaro Press, 2018), 50 pp, $25; Her Limitless Her by Reihana Robinson (Mākaro Press, 2018), 82 pp, $25; Over There a Mountain by Elizabeth Welsh (Mākaro Press, 2018), 88pp, $25

Fifteen years ago an illness enabled me a spell on the sickness benefit. I had time on my hands. In lieu of a formal arts education, I decided to undertake my own immersion job studying the poetry of New Zealand/Aotearoa. I spent my days scouring shops like Moa Hunter, paperback exchanges, op-shops and book fairs, seeking out collections by well-known and obscure poets. At night I stayed up late reading the collection I was building. [Read more…]

Steaming Open the Archives

November 1, 2019 Leave a Comment

Briar Wood

Dead Letters: Censorship and subversion in New Zealand 1914–1920 by Jared Davidson (Otago University Press, 2019), 296pp, $35

Reading the history of the years of the First World War and after through the experience of those who were outside the dominant political narratives of the time is a welcome step in presenting diversity, at a time when national borders in many places are being reinforced rather than opening up. Jared Davidson’s diligent research brings hitherto untold stories into the historical mainstream and extends our understanding of what life was like during these much-memorialised times. Although the subtitle seems broad, most of the evidence about censorship and the widespread resistance to it in Aotearoa New Zealand at the time of the First World War has come from government-censored letters: hence the book’s title. Some further discussion of newspaper, magazine, film and publishing restrictions might also have been set beside this intriguing discussion. [Read more…]