Landfall

Landfall Review Online: Aotearoa New Zealand books in review

The Frankness of Strangers

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This review was first published in the print edition of Landfall 243

Kerry Lane

Out Here: An anthology of takatāpui and LGBTQIA+ writers from Aotearoa, edited by Chris Tse and Emma Barnes (Auckland University Press, 2021), 368pp, $49.99

It was when the beach boy told him quickly, confessionally, with the complete frankness of strangers who meet accidentally and know they are unlikely to see each other again, his life story.
—Peter Wells, from ‘Sweet Nothing’

Out Here is an imposing book, a large, heavy hardback with a bright cover, white and rainbow. You couldn’t slip it into a pocket or read it discreetly on the bus. It’s bold. It’s out and proud.  [Read more…]

Home Truths

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Wendy Parkins

Grand: Becoming my mother’s daughter by Noelle McCarthy (Penguin, 2022), 269pp, $35

‘When I was very small, I loved wolves, she told me.’ The broadcaster Noelle McCarthy begins her memoir with a recollection of early childhood that alludes to an almost fairy-tale world. But look again at that deceptively simple opening sentence: ‘When I was very small, I loved wolves, she told me.’ From the beginning, the past is mediated through the mother. She is the one who—for good or ill—first tells our story, tells us who we are. Grand: Becoming my mother’s daughter presents a moving story of beginnings and endings, frankly detailing a childhood damaged by a mother’s alcoholism and McCarthy’s own journey of recovery from the same addiction.  [Read more…]

We Teeter Atop an Environmental Cliff

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Erik Kennedy

You Sleep Uphill by David Merritt (Compound Press, 2022), 86pp, $35; Super Model Minority by Chris Tse (Auckland University Press, 2022), 104pp, $24.99; The Pistils by Janet Charman (Otago University Press, 2022), 100pp, $25 

David Merritt excels at a sort of hard-luck lyrical life-writing that, in an Aotearoa context, is virtually his exclusive domain. (Maybe only slightly contested by Dunedin’s beloved Peter Olds.) His poetic practice is also unique in that he tirelessly travels the country gigging and selling his numerous lovingly made broadsheets and ‘poetry bricks’ to audiences outside the poetry mainstream. (Well, he did before COVID.) He is warm and engaging and engaged. So I was a little surprised to realise that his recent work, some of which I have read before, is, when put between two covers and handed over to a publishing house, suffused with a poignant sadness. It is affecting. [Read more…]

If These Walls Could Talk

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Sally Blundell

Home Theatre by Anthony Lapwood (Te Herenga Waka University Press, 2021), 240 pp, $30

In the thirteen short stories that make up Home Theatre by Wellington writer Anthony Lapwood, the walls of the cold, rat- and ant-infested Repertory Apartments really do talk. Over time and genre, the overlapping lives of the residents in this former theatre turned radio factory turned apartment block tell stories of hurt and hope, marriage breakups, anxious parents, close friendships, straitened circumstances, and glitches in the imperfect art of time travel. Like a slow drive-by in an Edward Hopper painting, Lapwood catches glimpses of his characters’ lives through windows, tracing the backstories of those who call this dingy, recognisably Wellington block of flats home. The result is a beautifully crafted and empathetic debut collection. [Read more…]

Trying to Read Standing Up

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Alan Roddick

House & Contents by Gregory O’Brien (Auckland University Press, 2022), 112pp, $29.99; Museum by Frances Samuel (Te Herenga Waka University Press, 2022), 88pp, $25; Farce by Murray Edmond (Compound Press, 2022), 98pp, $25

Gregory O’Brien’s latest book is a real treat, with its three dozen poems accompanied by twenty-three of his paintings in full colour: O’Brien the curator, putting on his own show. The paintings are not ‘illustrations’ but talk with the poems as if on equal terms, as some of their titles demonstrate: ‘Ode to a water molecule and five Canterbury rivers’, for example, or the Wordsworthian ‘Lines composed a few metres above high water, Meretoto’. ‘The uses of fondness’ is an exception, being a poem in a painting, or a painting of a poem. [Read more…]