Mary Macpherson on Petroglyphs by Craig Foltz, For When Words Fail Us: A small book of changes by Claire Beynon, and anthology (n.) a collection of flowers by Gail Ingram
Reality Itself Is Blazing and Burning
Tony Beyer on Hotel Theresa by Doc Drumheller; Slender Volumes by Richard von Sturmer; Islands by Brett Cross
A Translation to Your Heart
Erik Kennedy on undressing in slow motion by Michael Giacon; Peel by Georgie Silk; and the prism and the rose and the late poems by Schaeffer Lemalu
The Blue Drift
Lindsay Rabbitt on Selected Poems by Mike Johnson; Sketches: Poems and drawings by Mike Johnson with artwork by Leila Lees; and Afterworld by Mike Johnson
Died and Gone to Methven
James Norcliffe reviews Tarot by Jake Arthur; Slim Volume by James Brown; In the Half Light of a Dying Day: Catullus, 2023 by C.K. Stead
She Was Driving a Scream into Distance
Siobhan Harvey on The Girls in the Red House are Singing by Tracey Slaughter; In the shape of his hand lay a river by Iona Winter; The End of the Beginning by Jenna Heller
Goodbye, Freddie!
Iain Sharp on Koe: An Aotearoa Ecopoetry anthology edited by Janet Newman and Robert Sullivan
At Home Not Feeling At Home
Peter Simpson on Departures by Dunstan Ward; Slow Fires: New Poems by Leonard Lambert; The Glass Guitar by Peter Olds
Grief Momentarily Suspended
Genevieve Scanlan on Meantime by Majella Cullinane; Tidelines by Kiri Piahana-Wong; Chew the Bright Hysteria by Rhondda Greig
Rage and Serenity
Mary Macpherson on Hoof by Kerrin P. Sharpe, PLASTIC by Stacey Teague and About Now by Richard Reeves
I Feel My Whakapapa Hum in My Bones
Vaughan Rapatahana on Neither by Liam Jacobson, Birdspeak by Arihia Latham and Hopurangi/Songcatcher by Robert Sullivan
I Amount to Something, Yes
Harry Ricketts on Selected Poems by Geoff Cochrane
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