Landfall Review Online

New Zealand books in review

Float, Float On …

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David Geary

Floating Islanders: Pasifika theatre in Aotearoa by Lisa Warrington and David O’Donnell (Otago University Press, 2017), 284 pp. $39.95

Our quest should not to be for a revival of our past cultures but for the creation of new cultures which are free of the taint of colonialism and based firmly on our own pasts. The quest should be for a new Oceania.–Albert Wendt

The beauty of this book is that apart from being an entertaining and comprehensive summary of the birth and rise of Pasifika theatre in New Zealand, it also serves as a compelling social history.  [Read more…]

A Dynamic Optimism

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Peter Shand

Gordon Walters: New vision edited by Lucy Hammonds, Laurence Simmons and Julia Waite (Auckland Art Gallery Toi o Tāmaki & Dunedin Public Art Gallery, 2017), 244 pp., $79

The title of Gordon Walters: New vision presents its own wero. Building from Walters’ innovating position within New Zealand art, the title points to the writers’ collective aim of presenting new ways of engaging with and thinking about his work. Hence their challenge to realise novel propositions for geometric abstraction, for ambitious local art practices, for cross-cultural appropriation and/or for histories of modernism. This is in the context of an artist who enjoys a sound if moderate bibliography, with notable contributions from Michael Dunn and, in particular, the late Francis Pound. This handsome addition to that record accompanies a touring retrospective exhibition curated by three of the book’s essayists: Lucy Hammonds, Laurence Simmons and Julia Waite.  [Read more…]

Performing Otherwise

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Emma Willis

Performing Dramaturgy by Fiona Graham (Playmarket Press, 2018), 189 pp., $40

If you have picked up a programme for a new play, devised or dance-theatre work, you may have seen the job title ‘dramaturge’ listed in the production credits. But what is a dramaturge? Even for those within the theatre industry, the concept is shrouded in a degree of mystery. It’s a seemingly shape-shifting position that changes according to any given group of people and process. Fiona Graham’s Performing Dramaturgy examines the role of the dramaturge in depth, its origins and many variations within the contemporary context, and analyses it precisely as a dynamic and ‘nomadic’ process. Drawing on her extensive professional experience, Graham weaves together an elegant text that moves between theatre history, theorisation, personal reflection and practical advice in order to answer the question of what a dramaturge does – or might do. As she notes, her aim is to ‘offer insights that will open up all sorts of new creative opportunities for practitioners by unsettling conventional ways of seeing and doing’. [Read more…]

Bridgehead and Beacon

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Simon Cunliffe 

Dawn Raids by Oscar Kightley (Playmarket, Victoria University Press, 2017), 103 pp., $18

Twenty years on from its premiere in 1997, and more than 40 from the events it depicts, Oscar Kightley’s seminal play, Dawn Raids, continues to resonate – and perhaps for more than the obvious reasons.

The raids, a shameful episode in this country’s history, were initiated under the Labour government of Norman Kirk from about 1973 and carried out with renewed zeal by the National government of Robert Muldoon from 1975. They were aimed at finding and repatriating Pacific Islanders who had overstayed their work permit visas. The searches were typically executed in the early hours of the morning and were carried out by immigration officials and squads of police with dogs. Pasifika people were woken from their beds, randomly stopped in the street or singled out at their work places, and asked to show proof of identity and immigration status. Those failing to produce the requisite paperwork were deemed to be ‘overstayers’ and summarily deported. [Read more…]

Forgotten Giants

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Norman Franke

Poetry and Exile: Letters from New Zealand 1938–1948 by Karl Wolfskehl, edited and translated by Nelson Wattie (Cold Hub Press, 2017), 464 pp., $45

Now virtually unknown in New Zealand, the German-Jewish poet Karl Wolfskehl (1869–1948) made a great personal impression on the first generation of postcolonial writers. Frank Sargeson, writing about his first encounter with the physical and intellectual giant in an Auckland cinema, said:

I was astonished by the slow entry of a giant figure who, accompanied by a small and slight woman, made his way to the front row of seats … Karl Wolfskehl could immediately be recognised as a figure from a previous century: dark clothes, cravat or great bow, a crop of hair, artist’s wide-brimmed hat, immense: poet scholar patrician-bred Jew. [Read more…]