Robyn Maree Pickens on Sapphic Fragments: Imogen Taylor with essays by M. Mitchell-Anyon and J. Drayton and Llew Summers by John Newton
‘All art comes from the depths of one’s feelings’
Michael Dunn on Louise Henderson, ed Felicity Milburn et al
Copy That
Tasha Haines on Make It the Same by Jacob Edmond
Quite a Ride
Helen Watson White on Making History by Jock Phillips
Solitary Grandeur
Martin Edmond on McCahon Country by Justin Paton
Reeling Them In
Helen Watson White on Whatever It Takes by John Reid
Tasman Crossings
Lucy Sussex on West Island by Stephanie Johnson
A History of Historicisation
Caitlin Lynch on Filming the Colonial Past by Annabel Cooper
Impure First
Robyn Maree Pickens on Gretchen Albrecht: Between gesture and geometry by Luke Smythe
The Grit that Makes the Pearl
Tasha Haines on The Writing Life by Deborah Shepard
Rootful Cosmopolitans
Lucy Sussex The Expatriate Myth: New Zealand writers and the colonial world by Helen Bones (Otago University Press, 2018), 248pp., $35 In New Zealand it is common to talk about ‘OE’: Overseas Experience. Living in what is termed the antipodes, far from the centres of finance, population and power, fosters an attitude where travel is […]
In Vivid Colour
Robyn Maree Pickens Colours of a Life: The life and times of Douglas MacDiarmid by Anna Cahill (Mary Egan Publishing in association with MacDiarmid Arts Trust, 2018), 444 pp., $80 Before I settle in to a book I like to examine its paratextual material: features such as foreword, acknowledgments and endorsements. By examining the way […]
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