Helen Watson White on Folded in the hills by Marilynn Webb
Your Position Is Not Mine
Ian Wedde on Dear Colin, Dear Ron: The selected letters of Colin McCahon and Ron O’Reilly by Peter Simpson
You Saw Nothing
Max Oettli on Ans Westra: A life in photography by Paul Moon
Towards Night Moorings
Pat White on Little Doomsdays by Nic Low and Phil Dadson, Killer Rack by Sylvan Spring, and A Long Road Trip Home by John Allison
Loud with Locusts and Bronzed with Sun
David Eggleton on Don Binney: Flight path by Greg O’Brien
He Put His Chisel Right Through It
David Eggleton on Ki Mua, Ki Muri: 25 years of Toioho ki Āpiti edited by Cassandra Barnett and Kura Te Waru-Rewiri; Artists in Antarctica edited by Patrick Shepherd
Women Active at Every Level of Photography
Mary Macpherson on Though Shaded Glass: Women and photography in Aotearoa New Zealand 1860–1960 by Lissa Mitchell
The Person is Fashioned and the Poem is Shaped until Poem and Person are One
Piet Nieuwland on Albatross Neck: Landings by the Ancient Mariner and Romanticism in Aotearoa New Zealand 1770–2022 by Nigel Brown and Denys Trussell; The Wanderer: Book Two by Ron Riddell; Songs to the Unsung by Kayleen M. Hazlehurst
Matrix of Shape-Shifting
David Eggleton on Toi Tū Toi Ora: Contemporary Māori art edited by Nigel Borell
‘Disobedience and Bravery’: The Power of Female Image-Making
Mary Macpherson on Gaylene’s Take: Her Life in New Zealand Film by Gaylene Preston; droplet by Sheryl Campbell
A Principled Resistance
Erik Kennedy on The Other Way by David Trubridge
Stone House & Straw Houses
Max Oettli on Ravenscar House: A Biography by Sally Blundell (Canterbury University Press, 2022) and Road People of Aotearoa: House truck journeys 1978–1984 by Paul Gilbert (Rim Books, 2021)
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